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Trump: Them Vs Us

The privileged today are those who are truly not thrown by the election results in the US – those who are unperturbed. They are the ones who know their livelihoods and hopes are in “safe” hands. They are the powered individuals whose conformity to majority rules renders them safe in a new Trump-ian world. I am not one of those people, but let’s get one thing straight:

I was not hoping for a feminist vote.

I did not believe Hillary Clinton fully represented a feminist vote, nor did I want her to win simply because she was a woman in some narrow-minded feminist fashion.

I did believe she was the better of two mediocre options; I did believe people wanted unity and fairness for all. I know better now.

Today, a majority of Americans voted for hate and intolerance – that is what made up Donald Trump’s campaign. He took a divide and conquer rhetoric. Even now in his victory speech he declared “This is about us.” Us. In true Trump-ian fashion,  it is “us” versus “them.”

Them are the women Trump so often vilified or objectified – women are nothing to him if they cannot be cast as villains or beauties. Them are the immigrants and refugees whose needs are less significant that those of Caucasian, US heritage. Them are the gay, lesbian, bi, trans, queer, and intersexed whose huge wins and political successes over the last several years are suddenly cast in doubt. Them is the poor and working classes who struggle with two jobs and two kids and too little money to support their families.

Them is everyone who Trump is not simply because Trump represents and campaigns only for those who are liked – or aspire to be like – him.

I hope he proves me wrong here. I hope he engages with the minority communities. I hope he stands for people who aren’t like him and changes his approach to the others of our world. Wouldn’t that be the biggest plot twist of all?

If not, God help “them” now.

 

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Gaga Politics: Lady Gaga’s AntiRape Activism and”Til It Happens To You”

“The following contains graphic content that may be emotionally unsettling but reflects the reality of what is happening daily on college campuses

“Til It Happens To You” Lady Gaga

 

To say Lady Gaga is a controversial persona might be a moot point at this stage. Certainly, many revile her many ostentatious looks as “over the top” and her celebrity persona as “attention seeking” based merely on image; but then there are her many droves of fans, her so called “Monsters” who adore these exact traits.

For me, there is nothing so important in the Cult of Gaga as her politics. Unlike many pop stars and celebrity personas with mass followings, one cannot accuse Gaga or shying away from the societal and political issues which affect – not only her – but her fanbase and her peers.

Indeed, Gaga is a well known supporter of the LGBTIA+ Community: her hit anthem “Born This Way” and her own queer activism are proof of this. She actively defends herself as a “bisexual” women – a sexual identity highly contested on grounds of (I am paraphrasing from a selection of argument I have had) “selfishness” and “attention seeking”- drawing attention to the difficulties and controversies currently surrounding claims to sexual identities and preferences facing those who put the B in LGBTIA+.

More recently, however, Gaga has loaned her celebrity status and her vocals to an equally significant issue: Rape.

In the last year, Gaga has emerged at the head of a vanguard against rape in America. Her haunting and emotional tribute to survivors and victims of sexual abuse, “Till It Happens To You” closes the recent documentary on campus rape “The Hunting Ground” and has come to openly identify herself as a survivor of rape, describing her own traumatic and emotional experiences and advocating as a survivor for an end to the rape culture which plagues college campuses and countless men and women.

 

Most recently, on Sunday night, Gaga invited and stood with a dozen or so survivors of sexual abuse and rape having just performed “Til It Happens To You”. The survivors – men and women; white and black – and Gaga raised their clasped hands to thunderous applause,  both audience and performers in tears in this moment of solidarity against the rape epidemic.

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Gaga dedicated the performance, earlier that night via her Twitter, to Kesha Rose – who was recently denied an appeal to break her Sony contract with her alleged rapist Dr Luke

I’ll be thinking of u 2nite. This is not over we’ll stand by u until you are free to live a HAPPY life. Everyone deserves that.

Gaga went on to reveal her gratitude to these survivors and to celebrate their stories and their bravery via Instagram, in an image which, contrasting their grim faced sobriety during their performance, displays their joy and euphoria in their solidarity.

Thank you for standing next to me on stage. Thank you for all the things you said, for listening to my story and sharing yours. I will never forget it. 50 survivors, so brave, relentless determination.

The music video itself is a shocking narrative not only of the rape of different women and the aftermath of their attempted recoveries – but is itself an examination of gender and sexual identity. One of the narratives reveals a young woman binding her breasts – an act which implies her transsexual identity while her subsequent rape can be read as a “punishment” for her identity. The two other primary narratives of the music video, simultaneously, depict the horrors of acquaintance rape – where a seemingly friendly encounter becomes a violent act – and the drugging of two Asian women at a house party which follows with one of the women fighting off her attacker and then aiding her worse-off friend. 

These emotional and, for many of us, all too real narratives take up only two minutes of the 5 minute 25 second video.

What follows is a depiction of the aftermath, when the trauma truly shows. The survivors are depicted with their inner most thoughts tattooed on their very bodies – the instruments of their assaults – from “I am Worthless” to “sometimes I hate myself” and all the thoughts which come with survival and the one hope so many women have following sexual assaults:

“Believe Me”

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And while these three women among others are depicted walking away from their narratives of abuse with those who believe and support them, their is one woman left in the end. A silhouette of the next victim of the rape epidemic infecting college campuses.

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The ultimate message of Gaga’s song is the simplest expression most rape survivors have: “believe me.” And with so many victims of abuse accused of being willing participants, of being too drunk, too naive, too provocative, this statement simplistically describes how many victims feels they will be treated following such traumatic experiences.